Bartolomé Esteban Murillo’s self‑portrait (c. 1670–1675), at The Frick Collection, captures the quiet confidence of one of Spain’s greatest Golden Age painters. Known for his radiant religious works and tender depictions of Seville’s street children, Murillo was also a master of portraiture; a part of his legacy that remains surprisingly understudied. A timeless window into the artist behind the brush.