The Baroque Art Accessibility Consortium

Category: Metropolitan Museum of Art-New York

  • Lute Player

    Lute Player

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    Lute Player (c1625) Valentin de Boulogne. A finely dressed solider plays the Lute for us. From the Met’s Catalogue entry: Together with Jusepe de Ribera, Valentin de Boulogne was the greatest exponent of Caravaggism in Rome, where he spent virtually his entire career, establishing a reputation among collectors for his paintings of gamblers, fortune tellers,…

  • The Musicians

    The Musicians

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    The Musicians (c.1597) Caravaggio. On the surface, we seem to be interrupting three musicians in a cramped room, warming up before a performance. Beside them, a young Cupid divides a bunch of grapes, perhaps to share as a pre-concert snack. Painted for Cardinal Del Monte, a devoted patron and lover of the arts, the scene…

  • Dormition of the Virgin

    Dormition of the Virgin

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    Dormition of the Virgin (c1612) Carlo Saraceni. After the Carmelites rejected Caravaggio’s intensely realistic take on the Dormition of the Virgin, Saraceni was commissioned to create a new version. His interpretation draws on Northern Italian influences, with a Renaissance-inspired color palette and carefully arranged figures. Yet the work remains grounded in naturalism and in its…

  • The Holy Family with the Infant St. John the Baptist

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    The Holy Family with the Infant St. John the Baptist (c.1600) Caravaggio. The attribution to Caravaggio is not universally agreed upon by Caravaggio scholars. However, The Met attributes it to Caravaggio and I’m not in a position to argue. It is disappointing that there is very little written about the piece on the Met’s website…

  • Pilot Washing his Hands

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    Pilot Washing his Hands (1643) Mattia Preti. Here we encounter Pilate, who is looking directly at us, washing his hands as Jesus is being led away in the background. Pilate knows Jesus is innocent and he attempted to get the crowd to release Jesus, but they did not. He is washing is hands to show…

  • The Vocation of Saint Aloysius Gonzaga

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    The Vocation of Saint Aloysius Gonzaga (c.1650) Guercino. This beautiful painting captures young Aloysius Gonzaga turned away from wealth and privilege to follow his calling to serve God. Guercino’s use of light and emotion brings to life the saint’s purity and devotion. You can see the angel crowning Aloysius with a wreath crown while his…

  • Death of Cleopatra

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    Death of Cleopatra (c.1645) Guido Cagnacci. This theatrical and erotic depiction of Cleopatra’s suicide is on brand for the Northern Italian painter. It is easy to envision this painting taking place on a stage where the heroine is so distraught from the defeat of Mark Antony that she feels her only course of action is…

  • Immaculate Conception

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    “Immaculate Conception” (1627) Guido Reni. The gallery label tells us that the Spanish Ambassador in Rome commissioned Reni to paint this for the Infanta of Spain (Infanta refers to the daughter of the king). Eventually the painting was hung in the cathedral of Seville and was extremely influential to Spanish painters, especially Murillo. We highlighted…

  • The Coronation of the Virgin

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    The Coronation of the Virgin (c.1595) Annibale Carracci. In this painting, the Virgin is depicted being crowned by the Holy Trinity. The Holy Spirit appears above her in the form of a dove, while God the Father and Christ the Son flank her on either side. Carracci’s composition reveals his deep admiration for Renaissance art:…

  • Saint John the Baptist Bearing Witness

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    Saint John the Baptist Bearing Witness (c.1600) Annibale Caracci. Here we see John the Baptist wearing his usual animal skin clothing and carrying a staff with the cross on top. The saint has turned toward us to direct our attention to a figure in the distance. At first glance, based on the clothing, pose and…